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The 100-point score, popularized by Robert
Parker, has been tremendously successful (if widespread usage can be
taken as a measure of success). But I'm no particular friend of this system: I
think it has an illusion of precision that just isn't possible with
wine tasting. Inevitably, people treat Parker scores as a property of
the wine itself (e.g. "This is a 93-point wine; d'ya like
it?"), and not as one taster's impression on one particular day.
It's a bit of a nonsense really, but this simplified view of reality
is rapidly becoming central to the whole wine trade. Because of this,
I've recently started using the 100 point scale as an adjunct to my
verbal system (see below). It's a language many wine-lovers find
useful, so I'm giving this as an alternative in the hope it will aid
communication between me and my readers. It doesn't mean I'm
completely happy with the 100 point scale, nor that I'm unaware of its
problems.
The widely-used 20 point scale is probably worse. Why? It is
supposed to represent a rigorous, 'scientific', objective appraisal of
a wine. To this end, a set number of points is awarded for various
characteristics such as colour, nose and palate. How ridiculous. What
happens in practice is that well-made but ultimately boring wines tend
to do quite well, and personality-filled wines of character get marked
down.
I'm not saying that these scoring systems are totally without use;
just that the dangers of their use often outweigh the benefits.
So if I'm so smart and I know best, you ask, what system do I
prefer?
It's a scale based on loose verbal categories (see below). It isn't
terribly original, but I think it's more honest that any of these
points-based systems. It's supposed to be an absolute scale indicating
that most tenuous of properties, absolute 'quality'. Thus, a Bordeaux
rated as 'excellent' should be of the same quality as a Californian
Cabernet rated 'excellent'; by the same token, in a tasting of
Bulgarian wines I'm unlikely to rate any as 'excellent'. Inevitably,
this isn't a totally objective or scientific system. Indeed, the
imprecision of the scale usefully reflects the intrinsic imprecision
endemic to the whole practice of assessing wines.
- Poor
(Don't drink, pour down
the sink)
- OK
(Mediocre stuff, just
about palatable, but not really worth the effort of drinking)
- Good
(Acceptable quality plonk - definitely
a commodity wine)
- Good/very good
(An OK table
wine that I'd be happy to drink under the right circumstances)
- Very good
(Well made,
interesting wine with some appeal)
- Very good+
(A good
effort, worth seeking out, especially if the price is right - an
85-89 point wine)
- Very good/excellent
(A superb wine; this would probably be equivalent to a Parker score
of 90+)
- Excellent
(The very best
wines; a stunning effort)
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