Was at the New Zealand annual tasting at Lord's this afternoon, where among other things I spent some time chatting with famous cinemato-
grapher and wine producer Michael Seresin.
Seresin first left New Zealand in the late 1960s for Italy, and it was a real culture shock. 'How people lived was opposite to how I'd lived in New Zealand', he recalls. After a spell in the UK, he moved back to Italy once more, and clearly was captured by the culture of food and wine he experienced there. 'I like what wine embraces', he says, and when he decided to turn his hand to making the stuff, his first thought was to do it in Italy, before settling on his home country as the destination. 'I didn't think I'd be smart enough to do business in Italy', says Seresin. 'Besides, you are free to do a lot more in the New World than the Old'.
As befits a filmmaker whose attention is frequently on the quality of the light, as much as what is in the shot, the Seresin wines have a transparency to them. There's almost a quality of lightness that brings a sharp focus on what is present in the wine (does this sort of synaesthetic description work, or does it just sound pseudy?).
Of the wines, for me the standouts are the focused, precise Sauvignon Blanc and the two wonderful, complex, balanced Pinot Noirs. Perhaps it's the influence of organics and biodynamics that Seresin practices, or the fact that everything is done by hand, but this is an impressive set of wines. And the cinematographer influence came out when I asked Michael if I could take his picture. 'Don't use the flash,' he advised. 'The natural light is good in here.'