|
Opinion:
appellations as brands
The other day I was standing on a station platform thinking
my usual vague early morning thoughts, and I was struck by the
appearance of a train going in the other direction: all eight carriages
had been painted a
vivid red with the current Côtes du Rhône advertising campaign on
its side – the irritating and rather banal hedgehog drawings with
the slogan ‘think red, think Côtes du Rhône’. I don’t quite
get the connection between hedgehogs and Rhône reds, but someone has
clearly been spending a lot of money trying to boost the sales of
French wine in response to the popularity of the new world brands. But
does such a generic campaign – in effect, using appellations as
brands – work?
I’ll state my position from the outset. I’m not
sure that the marketing of appellations is a great idea. In principal,
the idea of pooling the marketing budgets of all the producers in an
appellation (for one big, visible marketing push, rather than many
tiny initiatives) is supposed to benefit all members of the
appellation equally.
| In reality, though, those who gain the most from this
approach are the poorer producers, and the relative losers are
the most conscientious, better-performing domaines. Why? Because
this sort of marketing doesn’t discriminate against cheats.
The vignerons who cut the most corners and have the lowest costs
(usually producing the lowest quality wines) benefit the
most.
Let’s illustrate this concept. Look at the famous
appellations of Champagne and Chablis. Most consumers aren’t
aware that the key to buying French wines is the producer’s
name, not the appellation, yet the wines are being marketed
generically. Thus when a supermarket offers Champagne at £6.99
or Chablis at £4.99, these wines fly off the shelves. The
producers who have managed to make wines that they can sell at
these prices benefit from the cachet that Chablis and Champagne
have as brands. In reality, these cut-price classics usually do
little to boost the image of the region. Usually, just the
opposite…
|
|
Appellations
with a cachet |
| n |
- Champagne: the ultimate brand. The average consumer
isn't worried by the quality if the price is right.
- Chablis: high consumer awareness, and a neutral
Chablis at under six quid will fly off the shelves
- Châteauneuf du Pape: the name on the bottle
guarantees £9, even if the contents taste no better than an
average Cotes du Rhone
- Sancerre: the ultimate restaurant wine (producer
often unspecified)
- Pouilly Fuissé: Macon's most famous name guarantees
£10 a bottle
- Muscadet: it may be cheap, but it's a name people
recognize, so it sells
- Meursault/Chassagne Montrachet/Puligny Montrachet:
famous white Burgundy appellations that will sell for high
prices simply because of the name
|
The principle behind appellations is sound. They preserve the
regional styles that have been officially recognized as being the best
that the region has to offer, and guarantee authenticity of the
product. Crucially, however, they have consistently failed to
guarantee quality. Rules governing grape variety, maximum yield, and
pruning and picking techniques don’t guarantee quality, no matter
how stringent they are. For example, while lower
yields are more or less essential for producing better quality wines,
they are not a guarantee of quality. Many producers prune for the
maximum permitted yield, and then in a high-yielding year they just
leave the excess grapes unpicked. This makes a mockery of the
regulations. If you produce 90 hl/ha grapes and only pick 40 hl/ha,
you’ve still got 90 hl/ha quality grapes. Even the statutory tasting tests (where they
are required) don’t work in practice. No, it’s the dedication,
motivation and skill of the vigneron/winemaker that is the key to
quality, and this can’t be legislated for. Ironically, the
appellation-as-a-brand concept ends up encouraging mediocrity.
French producers are acutely aware of their need to regain
market share lost to the new world brands. On paper, it looks like a
generic marketing attempt based around appellations will be a solution
to their problems. In reality, though, I suspect this generic approach
is proving to be an obstacle to raising the quality of the average
French wine. The typical consumer thinks in terms of the appellation
when buying French wine. I have a non-geek friend who declares how
much he loves Volnay, but isn’t aware how crucial the grower is in
determining the quality of his favourite wine. In a similar vein,
someone recently told me that they’d had a great Châteauneuf-du-Pape,
and seemed a bit perplexed when I asked them who the producer was.
This concept of the appellation as a brand creates a strong incentive
for less conscientious growers to cut corners; it rewards producers
who can knock out large quantities of inexpensive Chablis, Châteauneuf,
Sancerre, Pouilly Fuissé and Champagne – wines that are unlikely to
do their appellations any favours. Of course, within each region there
are a few superstars with reputations that mean they can command high
prices for their wines, but for the average producer this system gives
them no incentive to raise their quality threshold, because even if
they don’t they will still benefit from generic marketing campaigns
and the cachet their appellation enjoys.
Agree?
Disagree? Respond to jamie@wineanorak.com
Back to top
April 2002 |